When reading Taking Haiti: Military
Occupancy and the Culture of US Imperialism by Mary A. Renda, I was
interested in the connection between this text and
Michel-Rolph Trouillot's Silencing The Past in the production of
history and how silences can be created through holes in fact and
truth claims. In Renda's text, we use interviews as part of the
archive available to us to interpret the events. In 1973 General
Noble, Chief of Staff of the brigade said “You can cut that out
later. Doesn't sound good anyway” (p.88)When reflecting on
impressions he had made of himself when relieving duty from Haiti –
this was an American admittance to ignorance of Haitian feeling
towards occupation. Ideas of “paternal guidance offered to a child
nation in need”(p.42) was supposed to clarify the situation for
marines, but it also signaled a further silencing of a truth claim in
Haitian history.
This assertion of authority and
control (and inherent ideas of superiority) reminded me of examples
that Trouillot argued, since “inequalities experienced by actors
lead to uneven historical power in the inscription of traces.”
(p.48)
This
raises issues of whether Haitian resistance to domination was
recorded in a fair way in historical memory. American marines were
not completely prepared to understand the proud “living”(p.45)
historical remaining elements of Haitian struggle, symbolised to them
in the pumpkins and couch shells.
I
also reflected on how important class was, yet again, in instances of
conflict with race and gender, but this time within the marines, as
on page 56, the
racial immigrant status of marines often defined their place in the
military hierarchy and being the “Boy from nowhere, a good for
nothing bum”, and so geographical belonging played a role in
disgraced.
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