PARSLEY
Farming
of Bones was an amazing book, one of the best I’ve read in a long
time. It told a story that has been historically
ignored or deemed non-worthy of mentioning. The book was so beautifully
written, filled with passion. I absolutely loved her descriptions of the
physical scars and mutilation on the characters to symbolize the emotional
scars on not only the individual, but also all of the persons who were
forgotten.
I
found this poem by Rita Dove about the massacre.
"Parsley"
1. The Cane Fields
There is a parrot imitating spring
the palace, its feathers parsley green.
Out of the swamp the cane appears
to haunt us, and we cut it down. El General
searches for a word; he is all the world
there is. Like a parrot imitating spring,
we lie down screaming as rain punches through
and we come up green. We cannot speak an R—
out of the swamp, the cane appears
and then the mountain we call in whispers Katalina.
The children gnaw their teeth to arrowheads.
There is a parrot imitating spring.
El General has found his word: perejil.
Who says it, lives. He laughs, teeth shining
out of the swamp. The cane appears
in our dreams, lashed by wind and streaming.
And we lie down. For every drop of blood
there is a parrot imitating spring.
Out of the swamp the cane appears.
2. The Palace
The word the general’s chosen is parsley.
It is fall, when thoughts turn
to love and death; the general thinks
of his mother, how she died in the fall
and he planted her walking cane at the grave
and it flowered, each spring stolidly forming
four-star blossoms. The general
pulls on his boots, he stomps to
her room in the palace, the one without
curtains, the one with a parrot
in a brass ring. As he paces he wonders
Who can I kill today. And for a moment
the little knot of screams
is still. The parrot, who has traveled
all the way from Australia in an ivory
cage, is, coy as a widow, practising
spring. Ever since the morning
his mother collapsed in the kitchen
while baking skull-shaped candies
for the Day of the Dead, the general
has hated sweets. He orders pastries
brought up for the bird; they arrive
dusted with sugar on a bed of lace.
The knot in his throat starts to twitch;
he sees his boots the first day in battle
splashed with mud and urine
as a soldier falls at his feet amazed—
how stupid he looked!— at the sound
of artillery. I never thought it would sing
the soldier said, and died. Now
the general sees the fields of sugar
cane, lashed by rain and streaming.
He sees his mother’s smile, the teeth
gnawed to arrowheads. He hears
the Haitians sing without R’s
as they swing the great machetes:
Katalina, they sing, Katalina,
mi madle, mi amol en muelte. God knows
his mother was no stupid woman; she
could roll an R like a queen. Even
a parrot can roll an R! In the bare room
the bright feathers arch in a parody
of greenery, as the last pale crumbs
disappear under the blackened tongue. Someone
calls out his name in a voice
so like his mother’s, a startled tear
splashes the tip of his right boot.
My mother, my love in death.
The general remembers the tiny green sprigs
men of his village wore in their capes
to honor the birth of a son. He will
order many, this time, to be killed
for a single, beautiful word.
What I liked about this poem is that
it humanizes Trujillo. At first, I didn’t understand here point in this poem. I
questioned why she would write in his point of view; thinking to myself “ we
need more stories about those who have lived through the massacre and those who
died”. But the more I read this, the
more I realized her purpose in writing in this point of view. Dove’s is
humanizing evil, just like how many of us are fighting to reverse the
dehumanizing descriptions forced on certain groups of people. It shows how Trujillo fought to cover up his
sadness and sorrow with getting rid of those who he blamed for his unhappiness.
Now I’m not making excuses for him. He
did a horrific thing, and I believe he was completely in the wrong. But we talk
about how history has multiple faces and maybe, just maybe, Trujillo has
another story, different than the one he was trying to project on others.
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